by Kevin OBrien on April 14th, 2026
YFS AXPONA 2026 SHOW REPORT
This year for 2026, we promised ourselves we would be focusing on business opportunities for YFS, not just having fun seeing and listening to all the interesting sights and sounds the Renaissance Schaumburg had to offer. Turns out, we kept our promise, which is exciting news for YFS. Here's a quick glimpse of AXPONA 2026 from our perspective.
Our first stop was to the EMM Labs / Raidho room. We greeted Amadeus Meitner and spoke to John McGurk from Audioshield about the happenings and goings on in the HiFi world. John reported that all is well on the audio front for the Meitner team. That's good news, since Ed Meitner is no longer at the helm and instead has chosen to retire (hopefully, on a tropical island sipping drinks with tiny umbrellas). Amadeus Meitner has now taken the reigns. WOW! We didn't see that coming, and honestly, who could have?
Next stop was the Rhythm room. They are the new US distributor for Marten Design Loudspeakers out of Sweden This is something that has been on our radar for quite some time. People, we are finally getting with the program. The first time we heard these creations, it was RMAF 2012. We were blown away by the Coltrane speakers that were playing. We were intimately familiar with the gear in that room at the time, with the exception of the loudspeakers. So what we heard was totally the speakers, and not the rest of the gear. We cannot forget that moment. It's burned into our memory. Luckily, we were able to find Randy Bingham, the Director of Sales for Rhythm. After speaking to Randy, it appears we may have an "in" with Marten. Let's hope so, as we really want to rub up against these guys. Yes, they're that good.

Next stop, the GTT Audio room. We heard great things from the Press about this room last year, so naturally, we decided to check it out for ourselves. This would turn out to be a major turning point for YFS, but we didn't know it at the time. We just wanted to hear what all the fuss was about. Enter Bill Parish, head of GTT Audio. We spoke to him briefly about the equipment in the room, mainly the Audionet, Master Fidelity, and VIVID gear.
This was after a brief listen to the system upon our arrival. The reason we decided to get more info is because we couldn't believe what we were hearing. We cannot recall the exact track playing at the time, but whatever it was, it caught our attention immediately, and wouldn't let go of it. We are talking about smooth, detailed, life-like sounds that feel like they are oozing out of a world-class reel to reel or vinyl setup. There's no way this is digital!? But, to prove his point, Bill played us a track on the Kronos turntable, and sure enough, we couldn't tell the difference between the vinyl and the digital (only the occasional clicks and pops gave it away). WHOA!
We built up enough courage to ask Bill if he had some additional room in the GTT lineup for YFS. Turns out, he did. So, the rest is history. We took the plunge head-first and decided to become dealers right then and there. That's how good the Master Fidelity NADAC-D sounds. Yes, it's that good. You owe it to yourself to hear this special piece of digital gear. It makes every other digital converter we heard at the show sound "broken". Look for a review from us as soon as we get our demo unit up and running. (No, we did NOT splurge for the clock, just the DAC). Needless to say, we're more than excited!

Another demo we wanted to make note of was the Quintessance Audio room. Well, one of them anyway, as they had several setups. The room with the new Sonus Faber floorstanders really stood out. This room had the D'Agostino amps, the dCS digital front end, and the new Amati Supreme speakers. WOW! So smooth and detailed. Not at the GTT level of sound, but sounding great none the less. (Not a single room we heard matched the GTT sound digitally).
And, last but not least, this final room we're going to cover really shocked us, although not quite in the same way the GTT room did. I would say this was our second favorite room, simply based on the price-to-performance ratio. It also helped they were using the Aretai Contra 100S, which we are also dealers for, and are intimately familiar with. (No bias here, as we were using our ears, not our eyes). The Revox room simply stunned us with its gorgeous sounds (and sights). We've never heard such a detailed, laid back, analog sound coming from such an affordable setup at a show (we thought we'd never say that again after hearing ELAC's room last year, but alas). The Revox B77 MkIII was the star of said room. This tape machine was working miracles hooked up to a Revox integrated amplifier. Specifically, the Studio MASTER M500, which was smaller than a shoebox. Man, did this room have us coming back for more, which meant we visited several times that weekend. This room got the same attention from us as the GTT room, which is a huge compliment. If we could find master tapes for under $250 per title and could actually find titles we wanted to listen to, this would be our new reference. It reminded us of great vinyl playback sans surface noise, clicks, and pops.

If you're on the edge on whether or not to come see the Windy City for next year's AXPONA event, don't be. It's always a great place to visit, oh, and the food is incredible. Remember, the further you get from either Coast inland, the more bleak the food landscape can appear. That's never a problem in Chicago. Portillos, you know who you are. Anyways, we appreciate your attention and time. Until next time...













































